Keeril Makan's opera was premiered at National Sawdust in Brooklyn in a production directed by Jay Scheib, who also wrote the libretto. It was conducted by Evan Ziporyn. The work was presented again at the Gardner Museum’s Calderwood Hall in Boston.
From Hand to Mind: Fundamentals of Music and Evidence -Based Learning in 21M.051 (Fundamentals of Music).
Prof. Michael Scott Cuthbert speaks at MIT's MacVicar Day, March 11, 2016 about how technology is changing the way music fundamentals and music theory are being taught at MIT.
Published on Apr 13, 2016
MIT Music and Theatre Arts commissioned multiple Grammy nominee and Guggenheim and MacArthur fellow Miguel Zenón to write a piece for the MIT Wind Ensemble. Jazz composer and saxophonist Zenón found inspiration in the socially conscious work of the student performers. The creative collaboration culminated in four movements entitled: Properties, Humanity, Syntax and Service. The title of the piece “Music as Service” encapsulates the experience for the performers of this brand new composition.
MIT Symphony Orchestra performs Wolfgang Amadeus Mozart’s Symphony no. 36, ‘Linz’.
Recorded October 18, 2014
MIT Kresge Auditorium
MIT Music and Theater Arts celebrated the golden anniversary of its jazz program in the spring of 2013 with an exhibit in the Lewis Music Library, panel discussions with jazz artists and alumni, and a gala concert.
MIT’s jazz program was founded in 1963, but from the 1920s up until 1963, student-led jazz groups and student-produced concerts abounded on the MIT campus. The student-led jazz groups during those early decades included the MIT Dance Orchestra, the MIT Techtonians and the MIT Jazz Society. On-campus performances were frequently presented by MIT student ensembles as well as by professional artists such as Stan Getz, Keith Jarrett, John Coltrane and others. The one thing these efforts lacked was the leadership of a professional jazz educator to mentor and direct the students and their activities.
Today, in addition to the Festival Jazz Ensemble, MIT’s popular Jazz program also includes three jazz combos, coached by bassist Keala Kaumeheiwa, the MIT Vocal Jazz Ensemble, led by Pulitzer Prize-winning composer and MIT Institute Professor John Harbison, and subjects in jazz history, harmony, arranging, composition and improvisation, taught by composer and trumpeter, Mark Harvey, lecturer and founding director of the Aardvark Jazz Orchestra.