What does it mean to be a mid-career playwright? The term implies time in the field, not necessarily age. You put in ten or more years being a writer, then lo and behold, you graduate from being an emerging writer to this mythological midway point in your career. These terms are—I suspect—the product of play development and its central role in playwriting since the 1980s. I don’t mind these terms. In this time of quarantine and uncertainty, anything that implies a sense of forward movement instead of soul-crushing stasis gets my vote.

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One stage at a time

Associate Professor Sara Brown, an accomplished theater set designer, teaches MIT students to create and think visually.    

Jazz in the key of life

Saxophonist Miguel Zenón, a Grammy-winning MIT faculty member, creates a distinctive blend of jazz and traditional Puerto Rican music.

Bringing the stage to the classroom

21T.100 (Theater Arts Production) gathers MIT students, faculty, staff, and other professionals to produce feature-length performances.