All For You - John Harbison's 80th Birthday Jazz Party

MIT Festival Jazz Ensemble, Strength in Numbers and surprise tributes!

May 11, 2019 - 7:30pm
Free for Students & MIT Community, $10 General Admission
All For You—John Harbison’s 80th Birthday Jazz Party Celebration
MIT Festival Jazz Ensemble, Frederick Harris, Jr., Music Director. Strength in Numbers, and special surprise guests and tributes.
6:30 p.m. What Do We Make of Bach?
Prof. Ellen Harris interviews John Harbison about his new book
What Do We Make of Bach? signed copies available for purchase.
Purchase by cash or check at the event (checks payable to ARS Nova, LLC)
or by card at Eventbrite.
7:30 p.m. Concert 
The MIT Festival Jazz Ensemble honors MIT Institute Professor and one of America’s most distinguished artistic figures, John Harbison, with an 80th birthday jazz party. The event will feature several world premieres, Harbison’s vocal jazz music, small and large jazz ensemble compositions, his jazz quintet, Strength In Numbers, with Harbison on piano, Evan Ziporyn (bass clarinet), Mark Harvey (trumpet), Keala Kaumeheiwa (Bass), Fred Harris (drums), and other special surprise guests and tributes.
Samples of Harbison's scores, recordings, and memorabilia will be on display in Kresge Lobby.


Composer John Harbison is among America's most distinguished artistic figures. The recipient of numerous awards and honors, among them a MacArthur Fellowship and a Pulitzer Prize, Harbison has composed music for most of America's premiere musical institutions, including the Metropolitan Opera, Chicago Symphony, Boston Symphony, New York Philharmonic, and the Chamber Music Society of Lincoln Center. His catalog includes three operas, six symphonies, twelve concerti, a ballet, six string quartets, numerous song cycles and chamber works, and a large body of sacred music that includes cantatas, motets, and the orchestral-choral works Four Psalms, Requiem and Abraham. His music is widely recorded on leading labels.

Recent premieres include Psalm 116 (Chanticleer), String Quartet No. 6(Lark Quartet & Fromm Players, Tanglewood, Telegraph Quartet), Presences (cello and string quintet), A Bag of Tales, (codas for piano), The Cross of Snow (in both the version for viols with countertenor, and for string quartet with mezzo-soprano), The Nine Rasas (clarinet, viola and piano), and Painting the Floors Blue (for violinist Jennifer Koh). In May Harbison’s opera The Great Gatsby, a commission from the Metropolitan Opera, was revived at Semperoper Dresden, after the European premiere there of a new production last year, following performances in New York, Chicago, San Francisco, Aspen, Boston and Tanglewood.

Current composition projects include the monodrama If, From a Distance (for Boston Musica Viva, Santa Fe Chamber Music Festival, and the Chamber Music Society of Lincoln Center), and the organ symphony What Do We Make of Bach, for a consortium anchored by the Minnesota Orchestra and the Seattle Symphony, with a companion volume of essays on Bach.

Harbison has been composer-in-residence with the Pittsburgh Symphony, the Los Angeles Philharmonic, the American Academy in Rome, and numerous festivals. He received degrees from Harvard and Princeton before joining the Massachusetts Institute of Technology, where he is currently Institute Professor. For many summers since 1984 he taught composition at Tanglewood, serving as head of the composition program there from 2005-2015, often also directing its Festival of Contemporary Music. With Rose Mary Harbison, the inspiration for many of his violin works, he has been co-Artistic Director of the annual Token Creek Chamber Music Festival since it’s founding in 1989. He continues as principal guest conductor at Emmanuel Music (where for three years he served as Acting Artistic Director). Active as a jazz pianist, Harbison founded MITs Vocal Jazz Ensemble in 2010, for which he served as coach and arranger, and he is pianist with the faculty jazz group Strength in Numbers (SIN). In these roles he is adding to his large catalogue of pop-songs and jazz arrangements.

Harbison was President of the Copland Fund for fifteen years, and a trustee of the American Academy in Rome. He is a member of the American Academy of Arts and Letters and is a Trustee of the Bogliasco Foundation. His music is published exclusively by Associated Music Publishers.

John Harbison’s music is published exclusively by Associated Music Publishers.