Hearing Amazônia

November 06, 2021 | 08:00 pm

Free and Open to MIT Community and Public
November 06, 2021 | 08:00 pm

Kresge Auditorium, MIT Building W16
48 Massachusetts Avenue, Cambridge, MA 02139

The concert will be streamed live on the MTA website (https://mta.mit.edu/video/hearing-amaz%C3%B4nia) 

Hearing Amazônia–The Responsibility of Existence 

Created and led by MIT Sounding Co-Director Dr. Frederick Harris Jr.,Hearing Amazônia–The Responsibility of Existence is inspired by Brazilian music influenced by the natural world and by 2020 MIT graduate Talia Khan’s research on natural botanical resins and traditional carimbó music in Santarém, Pará, Brazil, made possible by a MIT-Brazil/ MISTI Sun internship grant.

Building upon experiences with 2020-21 CAST Virtual Visiting Artists Luciana Souza and Anat Cohen, this multi-year project launches with a special concert drawing attention to the urgency of the climate crisis. Portugal-born vocalist-composer Sara Serpa and MIT Kenan Sahin Distinguished Professor of Music Evan Ziporyn join an array of MIT musicians (MIT Festival Jazz Ensemble, MIT Wind Ensemble, and MIT Vocal Jazz Ensemble) to present a unique program of Brazilian music. 

Music from Amazônia and works by Antônio Carlos Jobim, Hermeto Pascoal, Egberto Gismonti, and Chiquinha Gonzaga, arranged by Guillermo Klein and Evan Ziporyn, will be featured. 

The concert will include talks by Talia Khan, MIT SB ’20 and future MS/PhD Candidate in the Department of Mechanical Engineering, on her research in Brazil, and Dr. Maritta R. von Bieberstein Koch-Weser, who leads the “Amazonia em Transformação: História e Perspectivas” program at the Institute of Advanced Studies of the University of São Paulo, Brazil. In this context she spearheads work on the establishment of the world’s first Rainforest Business School. 

Regarding her talk, Dr. Koch-Weser offers the following introduction:

“Biodiversity is the greatest treasure of Amazonian people and all Brazilians. A new path is possible (and most urgent) with ambitious science-based development of a standing-forest bio-economy. The people living in this region look for sustainable social and economic progress. Renewed respect for Brazil’s environmental and indigenous protection legislation, and building back nature on vast deforested lands could make a huge and positive difference. The reset has started.”

Image: Footage of the Amazon rainforest captured by Talia Khan '20 during her fieldwork in Santarém, Pará, Brazil.

 

Part of the Center for Art, Science & Technology’s (CAST) Sounding Series, an array of MIT musicians and guest artists present a unique program of Brazilian music drawing attention to the urgency of the climate crisis. Hearing Amazônia–The Responsibility of Existence is presented by MIT Center for Art, Science & Technology and MIT Music and Theater Arts.

 

COVID 19 HEALTH POLICY

We care deeply about the well-being and safety of our audiences, artists, and staff, and are excited to welcome you back to live performances at Music and Theater Arts!

For this performance:

-All patrons must be on MIT COVID PASS/TIM Tickets to access the venue. Learn more when registering. 

-Masks are required to be worn at all times

 

For more information on Hearing Amazonia, visit the CAST Website.

ABOUT MIT WIND ENSEMBLE

Founded by Music Director Dr. Frederick Harris, Jr. in the fall of 1999, the MIT Wind Ensemble (MITWE) is one of the most innovated such ensembles of its kind. Comprised primarily of outstanding MIT undergraduates and graduate students studying a wide range of disciplines within science, engineering, and the humanities. Repertoire includes outstanding traditional works and new music for full wind ensemble, chamber winds, brass ensemble, percussion ensemble, and woodwind ensembles. MITWE has commissioned 45 original works from many prominent composers. MIT Affiliated Artist, renowned composer, and tuba player of the Empire Brass, Kenneth Amis, is the Assistant Conductor of MITWE. 

MITWE has been featured on NPR and was the subject of the 2014 Emmy-winning documentary Awakening: Evoking the Arab Spring Through Music, aired on PBS. MITWE is also featured in the 2019 Emmy-nominated documentary The Great Clarinet Summit, and Call and Response: Creativity at MIT.  MITWE’s joint recording with the MIT Festival Jazz Ensemble, Infinite Winds, received a five-star review from DownBeat and was chosen by the magazine as one of its “Best Albums of 2015 Five-Star Masterpieces” — the first such recognition of its kind for a collegiate wind ensemble. The Boston Globe called the recording “one of the most compelling of 2015.”  

 Throughout its 21-year history, MITWE has collaborated with elementary, middle and high school students throughout Massachusetts. In March of 2019, MITWE embarked on its first tour, spending a week in the Dominican Republic, presenting four concerts, many STEAM presentations for middle, high school and college students, and premiering the eco-music piece In Praise Of The Humpback.   

In May of 2020, MITWE had the honor of opening MIT’s virtual Commencement with To The Light, To The Flame. MITWE also participated in MIT’s 2021 virtual Commencement, performing Diary Of A Pandemic Year.

 

ABOUT MIT FESTIVAL JAZZ ENSEMBLE

The MIT Festival Jazz Ensemble (MIT FJE) was founded in 1963 by Boston jazz icon Herb Pomeroy and led since 1999 by Dr. Frederick Harris, Jr. This advanced 18 to 20-member big band/jazz ensemble is comprised of outstanding MIT undergraduate and graduate students studying a wide range of disciplines. An advanced combo is formed from the membership of the MIT FJE. MIT FJE performs traditional and contemporary jazz ensemble literature, including student compositions and new works written for the MIT FJE by major jazz composers. Improvisation is a prominent part of the MIT FJE experience. MIT FJE has released five professional recordings including its major jazz label debut on Sunnyside in 2015, Infinite Winds, which received a five-star review from DownBeat and was chosen by the magazine as one of its “Best Albums of 2015 Five-Star Masterpieces.”

The FJE has a long history of performing original music by MIT students and composers from around the world. Since 2001, it has presented over 50 world premieres. Among others, Mark Harvey, Herb Pomeroy, Jamshied Sharifi, Ran Blake, John Harbison, Chick Corea, Joe Lovano, Gunther and George Schuller, Kenny Werner, Don Byron, Steve Turre, Magali Souriau, Guillermo Klein, Chris Cheek, Miguel Zenón, Dominique Eade, and Luciana Souza have collaborated with the MIT FJE. In January of 2019 the FJE participated in a highly successful cultural exchange, touring Puerto Rico with Miguel Zenón, presenting concerts in various venues and also STEM workshops in middle and high schools.

Learn about the MIT FJE’s collaboration with Grammy-winner Jacob Collier in this Emmy-winning documentary. Watch the Emmy-nominated documentaryThe Great Clarinet Summit, featuring MIT FJE. See an overview of MIT FJE’s recent tour of Puerto Rico. Watch MIT FJE and Sean Jones perform an original composition by MIT student Alan Osmundson and Warren Wolf perform Heal! by MIT pianist-composer Peter Godart. MIT FJE participated in MIT's 2021 virtual Commencement, performing Diary of a Pandemic Year. See an overview of MIT FJE’s history here.

 

ABOUT MIT VOCAL JAZZ ENSEMBLE

The MIT Vocal Jazz Ensemble (VJE) was founded by Institute Professor John Harbison in the spring of 2011 as the first and only vocal jazz performance group at the Institute. Boston-based vocalist-arranger-composer Laura Grill Jaye is the current director and coach of VJE, which has quickly risen to high recognition not only on campus but throughout Boston. Performance opportunities have included a professional recording with the MIT Festival Jazz Ensemble of the MIT school song and “A Rhumba for Rafael Reif,” as well as an appearance with the Boston Pops at Boston’s Symphony Hall. Professor Harbison has arranged many pieces for VJE over the years.

VJE’s debut recording Vocal Jazz at MIT: Store-Bought Hair, was released in 2015. Past collaborations have included performances with Jacob Collier, Dominique Eade, and Luciana Souza. Under the direction of Laura Grill Jaye, VJE has participated and earned high praise in a special residency with Audra McDonald, and has collaborated and recorded with The MIT Festival Jazz Ensemble.

VJE sings ensemble and solo jazz music. It performs with jazz instrumentalists on and off campus, including a concert in Killian Hall at the end of each semester. The ensemble also offers members opportunities for arranging and songwriting. The MIT Vocal Jazz Ensemble is coordinated and overseen by Dr. Fred Harris.

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