Is anything lost in playing Mozart and Beethoven concertos with chamber forces?
Because these arrangements are for small string ensembles (to which I added bass), we lose the color of the wind instruments and the power of the brass and timpani.
Norton Award winner Ken Urban on bringing tough topics to the stageNewly crowned for "Outstanding New Script, playwright discusses how his work helps him make sense of the world.
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One stage at a timeAssociate Professor Sara Brown, an accomplished theater set designer, teaches MIT students to create and think visually.
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Jazz in the key of lifeSaxophonist Miguel Zenón, a Grammy-winning MIT faculty member, creates a distinctive blend of jazz and traditional Puerto Rican music.
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IMPRESSIONS from Boston: Stefanie Batten Bland and Daniel Bernard Roumain's "CLOSE UP"A World Premiere at The Theater at MIT
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