BMOP’s diligent efforts to document American music of the present and recent past reaches Makan, a composer on the MIT faculty. Shimmering textures, slowly unfolding processes, and lingering tones dominate in these four pieces, which form a bridge between Makan’s abrasive earlier work and the more open, tonally rooted music of his recent scores. Traces of darkness are never far from the surface, though, especially in the 25-minute title work, which unfolds like a eerie, half-remembered dream. Full article here.

One stage at a time

Associate Professor Sara Brown, an accomplished theater set designer, teaches MIT students to create and think visually.    

Jazz in the key of life

Saxophonist Miguel Zenón, a Grammy-winning MIT faculty member, creates a distinctive blend of jazz and traditional Puerto Rican music.

Bringing the stage to the classroom

21T.100 (Theater Arts Production) gathers MIT students, faculty, staff, and other professionals to produce feature-length performances.