Elena Ruehr New Music, a  review by Joshua Kosman
The four orchestral works of composer Elena Ruehr that are assembled on this alluring disc by the Boston Modern Orchestra Project are striking for their combination of rhapsodic, almost sinful lushness and a robust force that keeps the effect from cloying. Her signature orchestrational move is to pull you in with the strings and then let the brass punch you in the gut, and it works every time — even when you know it’s coming. Even the overall course of the disc works that way. It opens with the aptly named “Shimmer,” an enticingly patterned work for string orchestra that establishes just how beautifully Ruehr can write when that’s her goal. Then come “Vocalissimus,” in which a pugnacious solo trumpet keeps weighing into the process, and “Cloud Atlas,” a winningly detailed treatment of the great David Mitchell novel, in which cellist Jennifer Kloetzel of the Cypress String Quartet takes a solo role. The title work, a triptych inspired by three of Georgia O’Keeffe’s paintings, brings things to an expansive and evocative close. —Joshua Kosman" 

Seen and heard: The new Edward and Joyce Linde Music Building

Until very recently, Mariano Salcedo, a fourth-year MIT electronic engineering and computer science student majoring in artificial intelligence and decision-making, was planning to apply for a master’s program in computer science at MIT. 

Travels with Rambax

KAOLACK, Senegal – The MIT students have just finished dinner and are crumpling soda cans into trash bins when they get the summons: “Grab your drums, grab your drums, grab your drums …” 

MIT launches new Music Technology and Computation Graduate Program

A new, multidisciplinary MIT graduate program in music technology and computation will feature faculty, labs, and curricula from across the Institute.

FUTURE PHASES showcases new frontiers in music technology and interactive performance

Music technology took center stage at MIT during “FUTURE PHASES,” an evening of works for string orchestra and electronics, presented by the MIT Music Technology and Computation Graduate Program as part of the 2025 International Computer Music Conference (ICMC).