Program note from the composer:

Jessica Johnson approached me with an idea to write a work inspired by Beethoven’s Opus 109. I began by playing it over and over again, and listening to various recordings. As I started composing, I found that I was improvising with small figures that I loved from 109. It reminded me of when I was a teenager and I used to improvise at the piano every night while my mom cooked dinner. I never wrote down these improvisations because it would have interrupted my flow. What I found as I was writing these pieces for Jessica Johnson was that I was back playing for my mom (in my imagination) but now I had such greater skill at writing things down that I could write as I improvised. Tempos should be fluid and improvisatory, and pedaling, while suggested, is at the discretion of the performer. - Elena Ruehr

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Jazz in the key of life

Saxophonist Miguel Zenón, a Grammy-winning MIT faculty member, creates a distinctive blend of jazz and traditional Puerto Rican music.

Bringing the stage to the classroom

21T.100 (Theater Arts Production) gathers MIT students, faculty, staff, and other professionals to produce feature-length performances.

Keeril Makan named vice provost for the arts

An acclaimed composer and longtime MIT faculty member, Makan will direct the next act in MIT’s story of artistic leadership.