Program note from the composer:

Jessica Johnson approached me with an idea to write a work inspired by Beethoven’s Opus 109. I began by playing it over and over again, and listening to various recordings. As I started composing, I found that I was improvising with small figures that I loved from 109. It reminded me of when I was a teenager and I used to improvise at the piano every night while my mom cooked dinner. I never wrote down these improvisations because it would have interrupted my flow. What I found as I was writing these pieces for Jessica Johnson was that I was back playing for my mom (in my imagination) but now I had such greater skill at writing things down that I could write as I improvised. Tempos should be fluid and improvisatory, and pedaling, while suggested, is at the discretion of the performer. - Elena Ruehr

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The “delicious joy” of creating and recreating music

Leslie Tilley combines deep experience as a musician with cultural and formal analysis, to see how people refashion music anew.

Seen and heard: The new Edward and Joyce Linde Music Building

Until very recently, Mariano Salcedo, a fourth-year MIT electronic engineering and computer science student majoring in artificial intelligence and decision-making, was planning to apply for a master’s program in computer science at MIT. 

Travels with Rambax

KAOLACK, Senegal – The MIT students have just finished dinner and are crumpling soda cans into trash bins when they get the summons: “Grab your drums, grab your drums, grab your drums …” 

MIT launches new Music Technology and Computation Graduate Program

A new, multidisciplinary MIT graduate program in music technology and computation will feature faculty, labs, and curricula from across the Institute.