Program note from the composer:

Jessica Johnson approached me with an idea to write a work inspired by Beethoven’s Opus 109. I began by playing it over and over again, and listening to various recordings. As I started composing, I found that I was improvising with small figures that I loved from 109. It reminded me of when I was a teenager and I used to improvise at the piano every night while my mom cooked dinner. I never wrote down these improvisations because it would have interrupted my flow. What I found as I was writing these pieces for Jessica Johnson was that I was back playing for my mom (in my imagination) but now I had such greater skill at writing things down that I could write as I improvised. Tempos should be fluid and improvisatory, and pedaling, while suggested, is at the discretion of the performer. - Elena Ruehr

Learn more and purchase the album

Seen and heard: The new Edward and Joyce Linde Music Building

Until very recently, Mariano Salcedo, a fourth-year MIT electronic engineering and computer science student majoring in artificial intelligence and decision-making, was planning to apply for a mast

Travels with Rambax

KAOLACK, Senegal – The MIT students have just finished dinner and are crumpling soda cans into trash bins when they get the summons: “Grab your drums, grab your drums, grab your drums …” 

FUTURE PHASES showcases new frontiers in music technology and interactive performance

Music technology took center stage at MIT during “FUTURE PHASES,” an evening of works for string orchestra and electronics, presented by the