Program note from the composer:

Jessica Johnson approached me with an idea to write a work inspired by Beethoven’s Opus 109. I began by playing it over and over again, and listening to various recordings. As I started composing, I found that I was improvising with small figures that I loved from 109. It reminded me of when I was a teenager and I used to improvise at the piano every night while my mom cooked dinner. I never wrote down these improvisations because it would have interrupted my flow. What I found as I was writing these pieces for Jessica Johnson was that I was back playing for my mom (in my imagination) but now I had such greater skill at writing things down that I could write as I improvised. Tempos should be fluid and improvisatory, and pedaling, while suggested, is at the discretion of the performer. - Elena Ruehr

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Norton Award winner Ken Urban on bringing tough topics to the stage

Newly crowned for "Outstanding New Script, playwright discusses how his work helps him make sense of the world.

One stage at a time

Associate Professor Sara Brown, an accomplished theater set designer, teaches MIT students to create and think visually.    

Jazz in the key of life

Saxophonist Miguel Zenón, a Grammy-winning MIT faculty member, creates a distinctive blend of jazz and traditional Puerto Rican music.