The two-volume set includes two chapters by MIT Associate Professor of Music, Michael Scott Cuthbert giving a new history of the Trecento: Italian music of the fourteenth (and early fifteenth) century. The first chapter resituates the long-studied secular music of Italy in the context of new discoveries from across the continent. The second chapter is a major synthesis of the scattered remains of the once thriving tradition of sacred music during the time of the Great Papal Schism, connecting Italy to neglected traditions in central and eastern Europe.

Bringing the stage to the classroom

21T.100 (Theater Arts Production) gathers MIT students, faculty, staff, and other professionals to produce feature-length performances.

Keeril Makan named vice provost for the arts

An acclaimed composer and longtime MIT faculty member, Makan will direct the next act in MIT’s story of artistic leadership.

The “delicious joy” of creating and recreating music

Leslie Tilley combines deep experience as a musician with cultural and formal analysis, to see how people refashion music anew.

Seen and heard: The new Edward and Joyce Linde Music Building

Until very recently, Mariano Salcedo, a fourth-year MIT electronic engineering and computer science student majoring in artificial intelligence and decision-making, was planning to apply for a master’s program in computer science at MIT.