Is anything lost in playing Mozart and Beethoven concertos with chamber forces?

Because these arrangements are for small string ensembles (to which I added bass), we lose the color of the wind instruments and the power of the brass and timpani.​

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One stage at a time

Associate Professor Sara Brown, an accomplished theater set designer, teaches MIT students to create and think visually.    

Jazz in the key of life

Saxophonist Miguel Zenón, a Grammy-winning MIT faculty member, creates a distinctive blend of jazz and traditional Puerto Rican music.

Bringing the stage to the classroom

21T.100 (Theater Arts Production) gathers MIT students, faculty, staff, and other professionals to produce feature-length performances.