Urban’s plays include Sense of an Ending, The Correspondent, A Future Perfect, The Awake, and The Happy Sad. His plays have been produced in New York by Rattlestick Playwrights Theater, The Amoralists Theater Company, 59E59 Theatres, The Summer Play Festival at The Public, and Studio 42. His work has also been produced at Theatre503 in London, First Floor Theater in Chicago, and SpeakEasy Stage Company in Boston. He has developed new plays at Playwrights Horizons, Huntington Theater Company, Theatre @ Boston Court, Williamstown Theatre Festival, Donmar Warehouse (London) and The Civilians R&D Group.
In 2017-18, A Guide for the Homesick will receive its world premiere at the Huntington Theater Company in Boston (directed by Colman Domingo), and The Remains will receive its world premiere at Studio Theatre in Washington, DC (directed by Artistic Director David Muse). His TV pilot The Art of Listening was recently optioned by ITV Studio.
New theater projects include The Immortals, a drama about academia and the cellular afterlife of Henrietta Lacks, Inappropriate Sexual Relations, an adaptation of an anonymous erotic novel found in a book store in Ithaca, NY, and The Absence of Weather, a history play about the first Secretary of Defense and the start of the Cold War.
Awards include the Weissberger Playwriting Award, New York Foundation for the Arts Fellowship, Huntington Theater Playwriting Fellowship, MacDowell Colony Fellowships, Headlands Artist Residency, Djerassi Artist Residency, Dramatist Guild Fellowship, and Virginia Center for the Creative Arts Fellowship. Ken is a Resident Playwright at New Dramatists and an Affiliated Writer at the Playwrights’ Center.
He wrote the screenplay for feature-film adaptation of The Happy Sad, which screened internationally at over 25 film festivals, and is now available on iTunes, Hulu and Amazon.
His plays are published by Dramatists Play Service in the United States and Methuen in the United Kingdom and Europe, and they have been featured in numerous monologue anthologies. His essays on theater have appeared in Methuen Drama Guide to Contemporary American Playwrights, Methuen Drama Guide to Contemporary British Playwrights, Contemporary Theatre Review, Modern Drama, A Concise Companion to Contemporary British and Irish Drama, Cool Britannia: British Political Drama in the 1990s, and PAJ: A Journal of Performance and Art.
His band Occurrence is currently recording its sixth album. Their 2016 release The Past Will Last Forever received strong reviews with critics calling it “a formidable electro-space-post-punk beast” and “the near perfect synthesis between the universe of David Lynch and industrial music.” It is available on iTunes, and on limited edition vinyl (available on Bandcamp).
He has taught at Harvard University, Princeton University, Tufts University, Davidson College and Rutgers University.
BA, Bucknell University; Ph.D, Rutgers University.