The Fisher Center at Bard begins its 2020-2021 season of virtual and interactive works-focusing on healing and transformation in troubled times-with a Live Arts Bard (LAB) commission from 10-time Grammy nominated musician Meshell Ndegeocello's Chapter & Verse: The Gospel of James Baldwin, made in collaboration with acclaimed director Charlotte Brathwaite. Inspired by James Baldwin's groundbreaking treaty on justice in America, The Fire Next Time, this project was created during the time of two raging pandemics plaguing the United States: COVID-19 and racism. It is a 21st century ritual tool kit for justice-using the vernacular of a church service, structured rituals of worship, empowerment, and sacred practices-shared in isolation but bridging communities around the world. Launching September 15 with new content released monthly through December, its gifts of new songs, thoughts, meditations, and video with visual testimonies of resilience are offered each month for free, and can be accessed via TheGospelofJamesBaldwin.com and UPSTREAMING, the Fisher Center's online venue.  Read More

Seen and heard: The new Edward and Joyce Linde Music Building

Until very recently, Mariano Salcedo, a fourth-year MIT electronic engineering and computer science student majoring in artificial intelligence and decision-making, was planning to apply for a mast

Travels with Rambax

KAOLACK, Senegal – The MIT students have just finished dinner and are crumpling soda cans into trash bins when they get the summons: “Grab your drums, grab your drums, grab your drums …” 

FUTURE PHASES showcases new frontiers in music technology and interactive performance

Music technology took center stage at MIT during “FUTURE PHASES,” an evening of works for string orchestra and electronics, presented by the