Art Matters Announces 2020 Grant Recipients

New York–based nonprofit Art Matters today announced 37 recipients of its 2020 grants. Each will be awarded a fellowship of $5,000. The grants are awarded annually to artists or collectives working in contemporary art or performance. Among the first-time grantees this year are collective #XMAP: In Plain Sight; stage director Charlotte Brathwaite; performer and video artist Jibz Cameron, aka Dynasty Handbag; and filmmaker Shikeith. Repeat grant winners include photographer Sergio De La Torre, choreographer and movement artist Eiko Otake, and participatory artist Dread Scott.

Art Matters’ selection process this year was influenced by the ongoing Covid-19 pandemic and by the Black Lives Matter protests that swept the globe this summer, and eschewed application labor on the part of the artists. In keeping with the nonprofit’s mission, this year’s grantees represent QTBIPOC people (queer/trans/Black/Indigenous/people of color), incarcerated and undocumented populations, and those who are immunocompromised and/or disabled, as well as healers and activists. Read More

 

 

Seen and heard: The new Edward and Joyce Linde Music Building

Until very recently, Mariano Salcedo, a fourth-year MIT electronic engineering and computer science student majoring in artificial intelligence and decision-making, was planning to apply for a master’s program in computer science at MIT. 

Travels with Rambax

KAOLACK, Senegal – The MIT students have just finished dinner and are crumpling soda cans into trash bins when they get the summons: “Grab your drums, grab your drums, grab your drums …” 

MIT launches new Music Technology and Computation Graduate Program

A new, multidisciplinary MIT graduate program in music technology and computation will feature faculty, labs, and curricula from across the Institute.

FUTURE PHASES showcases new frontiers in music technology and interactive performance

Music technology took center stage at MIT during “FUTURE PHASES,” an evening of works for string orchestra and electronics, presented by the MIT Music Technology and Computation Graduate Program as part of the 2025 International Computer Music Conference (ICMC).