Skip to main content
MIT Music & Theater Arts
  • Music
    • About
    • Composition and Theory
    • Music Technology
    • History and Culture
    • Performance
      • Auditions
      • MIT Balinese Gamelan
      • MIT Chamber Chorus
      • MIT Concert Choir
      • MIT Festival Jazz Ensemble
        • History
        • Commissions
        • Recordings
      • MIT Laptop Ensemble
      • MIT Symphony Orchestra
        • History
        • Concerts
          • Past Seasons
        • Concerto Competition
        • Reviews
      • MIT Wind Ensemble
        • Repertoire
        • Recordings
        • Commissions
      • Rambax MIT
      • MIT Vocal Jazz Ensemble
      • MIT Chamber Music Society
      • MIT CMS Jazz Combos
      • Emerson/Harris Program for Private Study
      • FAQs
      • Collaborative Piano
    • Degree Requirements
      • Music Major, Full
      • Music Major, 21E/S
      • Music Minor
      • Music Technology Minor
      • Music Concentration
    • Class Schedule
    • Edward and Joyce Linde Music Building
    • Graduate Level Courses
  • Theater Arts
    • About
    • Degree Requirements
      • Bachelor of Science in Theater Arts
      • Bachelor of Science in Humanities and Engineering or Science - Theater Arts
      • Theater Arts Minor
      • Theater Arts Concentration
    • Class Schedule
    • Performance
      • The 2025 Fall Theater Arts Production-A Dream Like a Dream 如夢之夢
  • News
  • Events
  • People
    • Faculty & Staff
    • Featured Alumni
    • Diversity Statement
  • View/Listen
    • Live from Tull Concert Hall
    • Live from Kresge Auditorium
    • Live from Killian Hall
    • View
    • Listen
      • Classical
        • Large Ensemble
        • Chamber
        • Choral
        • Solo
      • World Music
      • Jazz
      • Faculty Opus
      • Listening Room Archive
        • 2016
        • 2015
        • 2013
        • 2012
        • 2011
  • Space/Resources
    • Practice Rooms
    • Instruments and Storage
  • Give
Search

Search Results

Associate Professor Emily Richmond Pollock published an article in the Journal of Musicology
Abstract In 1944 with Nazi Germany just months from defeat, a curious and now little-known book was published in Regensburg: a collection of essays and biographies that strove to define the contemporary state of opera. Titled Die deutsche Oper der Gegenwart (German Opera of the Present Day), this...
Lecturer Elena Ruehr mentioned in Washington Post AND the Chicago Tribune
A beginner’s guide to enjoying classical music. No snobs allowed. "There’s a lot more to classical music than orchestra music. Don’t think you’re stuck with orchestras, though, if that’s not your thing. The term “classical music” is an inaccurate catchall for everything from solo piano works to...
A Review of Elena Ruehr String Quartets nos.1-6
The Strad Issue: August 2018   Description: Proof that, as a genre, the string quartet still has legs   Musicians: Cypress Quartet, Borromeo Quartet, Stephen Salters (baritone)   Works: RUEHR String Quartets nos.1–6   Catalogue Number: AVIE AV2379 The Cypress Quartet made its recorded farewell two...
Further praise for Professor Peter Child's SHANTI
THE FULL REVIEW   CHILD: Jubal; Adirondack Voices; Shanti Boston Modern Orchestra Project/ Gil Rose BMOP 1057—65 minutes This album was my introduction to the music of Peter Child. Like Lindberg’s works, Child’s music is multi-faceted and adaptable to whatever idea is at hand. The wild and...
Ian Hattwick
Ian Hattwick is an artist, researcher, and technology developer whose work focuses on the creation and use of digital systems for professional artistic performances. With a background in music composition and performance, he is particularly interested in use of multimodal hardware systems to...
The M.I.T. Chamber Chorus presents "CANDIDE"
  Reserve a Seat       Lynn Torgove, Stage Director William Cutter, Conductor   CANDIDE - a staged and costumed truncated version of Leonard Bernstein’s delightful comic operetta “Candide” based on the 1759 novella of the same name by Voltaire. Playwright Lillian Hellman approached Bernstein...
Infinite Harmony: Jacob Collier at MIT
Buy Tickets       Following the success of his 2016 MIT large-scale concert and subsequent New England Emmy-winning documentary about that event, two-time Grammy winner Jacob Collier returns to MIT for a new concert experience including music yet to be heard along with selections from his...
Paul Jacobs is slated to unveil John Harbison's What Do We Make of Bach?
The internationally celebrated American organist Paul Jacobs, who has performed in all fifty states, expands the repertoire for organ and orchestra still further during the 2018-2019 season.   In October 2018, Mr. Jacobs is slated to unveil Pulitzer-Prize winning composer John Harbison's What Do We...
Wayne Marshall
Wayne Marshall is an assistant professor of music history at Berklee College of Music and has taught at Harvard, Brown, Brandeis, and the University of Chicago, among others. An ethnomusicologist by training, his research examines the interplay between sound reproduction technologies, media regimes...
Composer Forum: Matt Schumaker, MLK Scholar
                In threatening possibilities…   A presentation on the marriage of artistic inspiration and technology in the composition of several works, including two text settings: As I ride the late night freeways, a collaboration with poet Cathy Park Hong that takes a ride on the mean streets...
  • « first
  • ‹ previous
  • …
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • …
  • next ›
  • last »
MIT Music & Theater Arts
Music & Theater Arts Section
School of Humanities, Arts, and Social Sciences
Massachusetts Institute of Technology
Section HQ: Room 10-219
77 Massachusetts Avenue
Cambridge, MA 02139-4307
Map Parking Directions
Map Parking Directions
Privacy Policy
Copyright © MIT Music & Theater Arts Section, All rights reserved.