From large-scale works for the opera house and concert hall to intimate violin solos, John Harbison has created an abundant catalogue of music that engages in an extraordinary dialogue between past and present.  His compositions are typically atypical, as he continually seeks out fresh angles through with to reconsider the traditional forms, models, and styles that inspire him.  Whether his references are Henry Purcell, J.S. Bach, Stravinsky, or the idioms of jazz, the result never comes across as a facile eclecticism.  Rather, these are threads of a rigorously crafted language he has made into his own.

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Seen and heard: The new Edward and Joyce Linde Music Building

Until very recently, Mariano Salcedo, a fourth-year MIT electronic engineering and computer science student majoring in artificial intelligence and decision-making, was planning to apply for a mast

Travels with Rambax

KAOLACK, Senegal – The MIT students have just finished dinner and are crumpling soda cans into trash bins when they get the summons: “Grab your drums, grab your drums, grab your drums …” 

FUTURE PHASES showcases new frontiers in music technology and interactive performance

Music technology took center stage at MIT during “FUTURE PHASES,” an evening of works for string orchestra and electronics, presented by the